English Biography


Smoky Joe Combo's second album has been released on October 07th 2008 in France and Europe and distributed by www.rootscd.com in the U.K., Sleazy Dreams records in Spain and Bear Family Records in Germany.

The multi-talented Sven Urhmann, musician, Dj, graphic designer, record collector, swing specialist a.k.a. Needlenose has written a rich liner notes text that we would like to share with you..

Merci Sven !


VYNIL_WEBSITE

If you ask a today’s youth what drives the beat on records (or their down-loadable pendants), you probably will get the statement “Yo, old muthaf…. It’s da drum” (if he ever has heard a real one). But let’s turn back the hands of time to the late 30s and early 40s! Although the depression has ended and Swing was the thing, with all those high-pitched trumpets and smooth sax-lines, there still was a need for small, intimate, but also hard swinging combos. A lot of clubs and bars had neither the space, nor the money for a large group. So it was mainly piano, bass, and a smooth guitar player, sometimes lacking the drums. If you hear the trio or quartet-recordings of those early small groups today, you won’t even miss the machine-room (?) on tracks with Nat Cole, Charles Brown, Phil Moore or the very early Ray Charles.

A complete lifetime later (or: about 65 years with fast food), only a few guys can play like they do. I think, it’s a gasser, that the cats you hear on this record, are more chats, because they are solid swinging Frenchmen. But also from France is a large tradition of smallband-Swing, dating back to the early 30s, when guys like Django Reinhardt, Michel Warlop or Gus Viseur often played without drums. Contrary to their American counterparts, they got their rhythm feel from the 4/4-strumming guitars, as only European musicians did at that time in a very special gypsy-like way. So these mighty men of rhythm from Smoky Joe’s have their own tradition in rhythm making.
A lot of the tracks are real gone standards in their own way.

The title-track Swing Brother Swing dates back to Clarence Williams fame in the early 30s, but a more popular version was Billie Holiday's recording with the Basie outfit, as well as single-handed trumpet-ace Wingy  Manones versions By the way, Swing Brother Swing is the clear concept of this album.
I Like To Riff is one of the better known Nat ‘King’ Cole Trio’s tracks for Decca in the early 40s. You can already hear and feel very early Be Bop-influences on this light swinger. It was a minor hit when issued, and the base for Nat’s superstardom. Gone With The Draft and Little Girl are the same calibre. Little Girl got into a cartoon feature film with two Disney-squirrels swinging that tune. Cool Cole! The Best Man would have had the same potential, but flopped, when issued. There’s only one cover version I know of that song (*Ray Ellingtons), although most of the Cole-stuff was covered many times. A rare find on an actual album!


Come On-A My House was penned in the early 50s by Ross Bagdasarian and William Saroyan during a car drive from here to there. It been told, that those guys were very bored during that particular drive and started creating nonsense lyrics instead falling asleep at the wheel. Later a big (not boring) success for Kay Starr and Rosemary Clooney (guess, whose Aunt she is?).

What you hold in your hands is a record on the Reefer Man label. A reefer of course, being 30's slang for marijuana or grass. back then, guys who smoked grass were called vipers. After a while of consuming, the cat just might go mad! There is a large tradition of drug songs from the 20s on, and Viper Mad was first recorded by Noble Sissle’s congregation with young Sidney Bechet on soprano. Listen to the lyrics, while Joe’s smoking reefers.

The other songs are clearly negligible and were made, to fill gaps on this album. Forget them, go to your fridge for a cool drink, check your emails while they are playing (or simply try to sleep)! To be honest: Every track on this album is a small jewel in our short life.   Solid swinging gems and very danceable stuff for an intimate rendezvous that could have happened 65 years ago in a small club!

Merci bien, monsieurs!

Needlenose
Herford, Germany, August 2008